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Backstage with Stevie Benton of Drowning Pool: Coming Full Circle

By Tamar Fleishman

Summer 2008

The metal band Drowning Pool unwittingly started a controversy at the time of the Sept. 11, 2001 terrorist attacks. Its song, “Bodies,” had become a popular anthem at sporting events, but the chorus – “Let the bodies hit the floor” – was widely misunderstood in the wake of the attacks, and the song was banned by several radio stations.

Events came full circle five years later when the group was invited by the USO to perform in Iraq. They also played gigs in Kuwait and South Korea. Playing for the grateful, enthusiastic troops were “probably the most rewarding shows we’ve ever performed,” says lead vocalist Ryan McCombs.

Recently, the band members had to find the strength of soldiers themselves: In the space of a month, much of their equipment was stolen not just once but twice. Four of the group’s prized bass guitars were ripped off on the second spree. During this time, bass player Stevie Benton was stricken with Bell’s palsy during a show and ordered off the road for several weeks.

Even when the odds seem against them, these Texas rockers show resilience and enthusiasm to bring their music to fans. Benton has returned “feeling great,” and the band is again performing its high-energy show. Military Money interviewed Benton shortly before the whirlwind.

Tell us about your latest projects.

We’re touring, working up a buzz. We released an album, “Full Circle,” which includes a song called “Soldiers.” It’s a song we wrote after our first USO tour. The military had been using our song, “Bodies,” for lots of training videos, and we’re very thankful. We wanted to write a song that’s more direct, for them. Our new label was nice enough to let us give it for downloads. It’s only on the USO page, but it’s impossible to limit who can download it! (Editor’s note: Check www.myspace.com/usoworldheadquarters.)

Who are your musical influences?

When I grew up in the ‘80s, metal was big – Motley Crue, early Metallica, Anthrax. Since then, I’ve been expanding my horizons, listening to the Beatles.

How did you get involved with playing for the troops?

It’s something we felt we had to do for the military. We had been playing in San Diego and in Texas, lots of base towns. But we seemed to be limited to what we could do outside the country. We inquired about doing USO tours, but you have to know the right channels. One day, a DJ in Dallas – she had already gone through the necessary hoops to go overseas – extended the invitation. It all fell into place. We’ve now been on our third trip to the Gulf.

Do you have any family members who have served in the military?

I can trace family members who have served going back to the Civil War. My dad was in Vietnam and my grandfather served in World War II. I had relatives in Korea, too.

What lessons did you learn from them?

The main thing I learned is to have a sense of country and patriotism. Whether or not you support the government, you have to support the people. Root for your home team!

Tell us about the special logistics involved when you play for the troops overseas.

One cool thing: We fly C-130s everywhere! They have a different kind of takeoff and landing in hostile areas. It completely cured me of any civilian flight anxiety! You are asked to travel as light as you can – one bag. We have to scale back equipment and crew people. Traveling to Iraq is not like driving through the Midwest! We do bring sunscreen. We try not to let the USO coddle us. They treat us really well and we feel guilty. They were constantly feeding us! They want groups to want to come over.

You’ve had a band member pass away – lead singer Dave Williams, in 2002, from a form of heart disease. What advice do you have for people who’ve lost a co-worker or friend?

It’s certainly difficult. I wish no one had to go through what we did. It was really, really hard. I locked myself in a room for six or eight months. But that’s not good; don’t shut yourself out. You’ve got to continue to live.

Have you always been able to support yourself as a musician?

No, not always. We started the band in 1995. In 2000, we were able to make a living. Before, it was the job all day and the band all night, with just a couple hours’ sleep. I had an accounting job with Southland Corp.; they own all the 7-11 stores. Mike and C.J. were electricians.

What did you do with your first big paycheck?

We went and bought all new gear. We also got our band’s name tattooed on our arms!

Do you have investments?

I do. I have a money market account.

Do you manage your own money?

I have a business manager. He does the band as well as me individually. We went through a few people before him, but then we got to him through a personal reference. He’s a Southern guy, like the rest of us.

What special expenses do you have as a rock musician?

For one thing, we have to pay employer taxes for our crew. There’s the tour bus, traveling… gas is expensive. [The members] are the last people to get paid. It goes first to the labor, manager, lawyer and accountant.

What’s a splurge to you?

I take my girlfriend to Bob’s Steak and Chop House. That’s, like, $200 for a couple of steaks and a bottle of wine. I bought an English bulldog. I bought a dirt bike once.

What do you consider a waste of money?

My girlfriend begs me to wear a watch, but I never do. It’s just not me. These days, you’ve got cell phones with the time on them. A couple of years ago, someone tried to give me one as a Christmas present. I’d rather have a gift certificate to Wal-Mart!

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Tamar Alexia Fleishman is an attorney and writer in Baltimore. She served in the U.S. Air Force, her father served in the Indiana National Guard and her grandfather was a highly decorated Army surgeon who served as family physician to Gen. Douglas MacArthur. She may be reached at tfleishman@toad.net.

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